Tuesday, November 25, 2014

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Similarly, while Zoya Akhtar cannot quite break free from the lure of a Bollywood diva (Katrina Kaif) even as she comes up with the unconventional tale of a boy (Naman Jain) who aspires to be a girl, Dibakar Banerjee gives full rein to what he is good at – capturing the joys and despairs of “that little man” in the crowd (Nawazuddin Siddiqui). latest salman khan news katrina kaif 2010 calendar


Each segment of Bombay Talkies has its moments, either in terms of the quality of the acting or in the little narrative sleights that hit home. latest salman khan news katrina kaif 2010 calendar What is disappointing is that, barring the Dibakar Banerjee segment, none of the films is an attempt to showcase cinema as a self-contained medium of expression. latest salman khan news katrina kaif 2010 calendar They only explore its external manifestations. latest salman khan news katrina kaif 2010 calendar


Two of the segments – Zoya Akhtar’s and Anurag Kashyap’s – are about the dynamics of movie stardom and how it exercises a hold on the lives of common people. latest salman khan news katrina kaif 2010 calendar


Karan Johar’s story, essentially a relationship drama bolstered by fine performances, establishes no more than a fleeting linkage with the movies through a pair of classic 1960s Lata Mangeshkar numbers (Ajeeb dastaan hai yeh kahaan shuru kahaan khatam and Lag jaa gale ki phir yeh haseen raat ho na ho) that a girl on a railway station footbridge sings for a few tokens of appreciation from passerby.




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